Chances are if you’ve ever read a Wildstorm comic it was
this one.
Created back in the late 90s by Warren Ellis, The Authority was an attempt to follow up an
idea introduced in Stormwatch:
Superheroes actively trying to actively improve the entire world. While
Superman might take down Lex Luthor every week and Captain America might rail
against unjust governmental acts (thanks for that Tony) they’re rarely
displayed as characters attempting to actively reshape the world. They’ll
preserve it, try to keep it from falling into anarchy, but when was the last
time either attempted to enact drastic political change or take out a dictator?
World War II? The Cold war? The last time Doctor Doom was mentioned before the
status quo came into effect?
The Authority was an attempt to change that somewhat and show a new approach for superheroing. A good if unfortunately flawed one.
The Authority was an attempt to change that somewhat and show a new approach for superheroing. A good if unfortunately flawed one.
Taking place directly after the events of WildC.A.T.s/Aliens, the world is in
turmoil. With Stormwatch having been disbanded following the events and almost
all its members dead or M.I.A. the United Nations is left without a metahuman
force to help defend it. Many are seeking to take advantage of this with no way
to actively stop them. At least until Jenny Sparks and Stormwatch Black
re-emerge acting on their own, fighting for the world but not those who run it.
This first volume, Relentless,
is divided separately into two stories and both establish the themes of the
series. While they do feature the team combating enemies and reacting to
threats much like a traditional superhero team would, they display different
methods and motivations than you would ever expect. Ellis himself described
them as a group who tries to deal with every thread by “punching it and/or dropping something on it” and that’s fairly
clear very early on. This isn’t to say that those they fight don’t deserve such
treatment or require so much force to be finished, but it’s what helps to
clearly distance the team from both others within Wildstorm and the big two of
Marvel and DC. Half the time they’re written as villains simply fighting much
bigger, much uglier, villains.
None of this is to say that the protagonists themselves are unlikable and defined only by acts of violence. It would have been a very easy
thing to have the whole thing backslide into the grimacing, emotionally bland
characters who dominated the Dark Age. Thankfully they instead come across as
being very human. For every time they’re shown to be forced to kill hundreds in
the defence of Earth they’re never shown to be actively enjoying it (okay,
except Midnighter) and treat it more as being their day job. Every time they’re
forced to go all out to help halt some hugely destructive force from taking
down civilisation as we know it, there are at least a couple of quiet scenes to
try and help break up the action and give development on a more personal level.
It’s this latter aspect especially which helps to make it far more enjoyable
than a lot of modern big titles and more than a few of the New 52’s ongoing series.
It’s almost enough to help you forget that, for all the
backstory and characterisation we’re given there’s no real origin for these
characters.
Yeah, this is the big flaw within this comic. While it’s
great to see the first arc not be completely caught up in an origin story
there’s no denying that a great deal of the time it was relying upon people
having read Stormwatch. A lot of what was shown in that comic such as Sparks’
background is attempted to be shown again here, but almost everyone either
lacks a definitive origin or if one is given it’s explained in a brief
throwaway scene. The Engineer details how she got the nanomachines which feels
more like an excuse more than anything else and the Doctor has even less of an introduction,
and both of these are effectively brand new characters. Oh you get their
personalities fast enough and understand how they think and act but you it lacks
the fine details. The same argument might be made of the villain of the first
story Kaizen Gamorra, again previously introduced in another comic, but at
least in his case we’re given an atmospherically detailed background. Still,
when you can get past it the characters are easily some of the most naturally
feeling interactions in almost any comic. Balancing out the fantastical with attitudes
and conversations which feel like they would come from real people taking on
the Authority’s role in the world.
Bryan Hitch’s art seriously helps to further bring the world
to life with his usual high levels of detail and shows why he was exactly the
right artist for this. His highly detailed refined style helps emphasise upon
the scale of the threats and destruction, but unlike Miguel Sepulveda he has no
problems drawing expressive human figures or facial features.
You might have noticed that unlike a lot of the comics I’ve
reviewed, much of the plot and actual events have not been commented upon.
There’s a reason for that, as even going into it in my usual spoiler-free style
would ruin moments far better handled in the actual comic itself. Yet if you’ve
not guessed it from what you’ve seen here The Authority: Relentless is an exceptionally good trade collection, and a
prime example of how comics can display true innovation without betraying their
basic aspects. With paperbacks going for around £11-12.00 on Amazon.co.uk, this
is definitely a must buy for anyone looking for something different with
superheroes. It’s not for everyone and you’ll find yourself being bugged by fine
details which have been left to other issues, but there’s no denying the
quality behind the work. Definitely take a look if you’re interested.
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The Authority and all related characters and media are owned by DC Comics.
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