Think of a legion for a moment. Well, an army, even just a colour scheme. The chances are that any bold or defined one will instantly bring a very distinct feeling or visual to the forefront of your thoughts. This is one of the best qualities for any character, army or creation to have, as it makes them easily recognisable to a massed audience. Equally, however, a single, boldly defined identity or basic theme can further enhance this; It's what allows people to so easily remember the likes of the Black Templars, the Iyanden Craftworld or Valhallan Ice Warriors to stay in your head. This is a good approach for any army, as it provides a solid core to a force, but that core can be easily flawed. That's where the Alpha Legion comes in.
You see, look at the various basic armies of Warhammer and think of how they are defined. Namely, how they are explored and outlined in general. Then, when you have this in mind, look through the articles of the Index Astartes. You might notice something odd after a while. While certain ones are driven by core concepts, themes carry far more weight than the ideas of later years.
The Blood Angels, for one, are not nearly so obsessed with their primarch's death or their curse. It defines them, certainly, but it does not consume their narrative. Equally, the Black Templars' nature as crusaders is a core part of their identity, but stops short of delving deep into the territory of religious overtones. Well, the typical religious overtones, anyway. Those it does have fit into that grey area where it can be viewed as Arthurian inspired lore. The same goes for the Imperial Fists, Ultramarines, and even the militant chambers of the Inquisition. However, then you run into the Alpha Legion's entry, which took a risk for better and worse.
Whereas the others were largely forthright in their information, with the odd intentional bit of vagueness or outright contradiction between them, the Alpha Legion's article had a gimmick. To further emphasise their nature as manipulators, spies and espionage specialists, the article ended in an odd note: The in-universe writer had been uncovered as a likely Alpha Legion agent and had been executed. Everything in there had likely been lies, or the truth left in a manner to assist with misinformation. On its own the idea is excellent. It's the kind of metatextual element which can make a concept stand out, and appear all th stronger. However, in terms of ongoing universes and wider creations, it caused problems. It left the legion tied down to this idea of total control and mixed messages. It boosted the quality of a single work, but as a result it ended up limiting their potential use in the wider setting. It wasn't a theme which could be adapted to various ways, but a single defining idea which dominated their identity.
If you think that this is an exaggeration, then think for a moment of all the Black Library novels released prior to Horus Rising hitting shelves. How many of those really featured the Alpha Legion to any great degree? If you said next to none you would be right, and that is because this singular concept which was initially a boon came across as a strangling presence. It prevented writers going into greater detail about the legion, offering anything of definite substance or even creating a human face for them. Even as a villain they rarely came up, until they largely faded into the background. With their narrative identity being fixated upon this single point, there was no room to develop it, and it would take a major upheaval to shift that. Unfortunately, even that came with its own problems.
Legion, upon its release, was the first Horus Heresy book to fully use the Legio XX. However, even then it was largely tied to the previous elements of the last book, emphasizing misinformation and manipulation, to the point where they were barely in it. We would see their impact, even the odd moment of their marines directly getting involved, but their mysterious nature relied upon them barely showing up. On the few occasions that they did have some presence, it was executed through human agents, creating a sort of mystique about them which was bolstered by their successes. This was then furthered by the surprising revelation that they were not led by one primarch, but two.
Here's the problem though - When you remove the revelation surrounding Omegon, how much of that book do you actually remember? I mean, really remember, in detail and in relation to the plot? This isn't intended to bash Legion's quality, or even the choices made within it, but it shows that the chance to get out of that one narrative pit trap only created another. The book was heavily reliant upon a Sixth Sense style reveal, which was truly ingeious but it ends up being the sole point that others focused upon. Because of this, fans of the legion ended up being invested far more in this one point and one development than the theme of the army. That's a problem, as it leaves everything tied into one point in one fictional work.
Think, for a moment, of how much Iron Hands lore has been limited to "WE BETRAYED FERRUS!" and "FERRUS DIED!" over and over again of late. Think of how every Blood Angels story has become "By the way, did I mention the Black Rage?" in a multitude of releases. As odd as it sounds, these suffer from the same ultimate flaw which now plagues the Alpha Legion. Because those events made such a big impact, or at least were written to have a big impact, it meant that every following creation became fixated upon them. Rather than the themes or overall defining ideas of other creations, it instead became a storytelling cul de sac which leaves them no room to press further out and develop from. Those that do break from them - such as Dante or the Devastation of Baal - are the exceptions, and they rarely show up. They are not so much building blocks as a noose which stymies the ability to adapt and forge a more dynamic concept.
The reason that I highlight the Alpha Legion for this more than any others is simple: Without their mystery elements, and without their primarch to serve as a linchpin, they fail to develop as an army. The successes which followed such as Praetorian of Dorn avoided the legion's culture almost entirely and was heavily reliant upon using Alpharius as its major figure. Equally, with the Forgeworld books, they were only able to succeed as they did by mimicking the lack of information present in the Index Astartes articles, replicating the prior concept rather than building upon it further. When the thing they are recognised for the most is being unknown and almost unknowable, it offers little meat for anyone to work with. Worst of all, however, it also means that in order to remain loyal to their core concepts, authors can write little about their individual members. When they break away from that, it seems as if it is betraying their overall identity.
It's the sort of catch 22 which needs to be highlighted more with some creations. It shows an extreme example of how even a well-written and very creative army can have its strengths work against it; even highlighting how and when meta-commentary narratives can spark of something which limits future potential over inspiring further development. It can work for a single story, but if you plan for it to keep going, you always need to ask yourself, "So, what then?"
The Blood Angels, for one, are not nearly so obsessed with their primarch's death or their curse. It defines them, certainly, but it does not consume their narrative. Equally, the Black Templars' nature as crusaders is a core part of their identity, but stops short of delving deep into the territory of religious overtones. Well, the typical religious overtones, anyway. Those it does have fit into that grey area where it can be viewed as Arthurian inspired lore. The same goes for the Imperial Fists, Ultramarines, and even the militant chambers of the Inquisition. However, then you run into the Alpha Legion's entry, which took a risk for better and worse.
Whereas the others were largely forthright in their information, with the odd intentional bit of vagueness or outright contradiction between them, the Alpha Legion's article had a gimmick. To further emphasise their nature as manipulators, spies and espionage specialists, the article ended in an odd note: The in-universe writer had been uncovered as a likely Alpha Legion agent and had been executed. Everything in there had likely been lies, or the truth left in a manner to assist with misinformation. On its own the idea is excellent. It's the kind of metatextual element which can make a concept stand out, and appear all th stronger. However, in terms of ongoing universes and wider creations, it caused problems. It left the legion tied down to this idea of total control and mixed messages. It boosted the quality of a single work, but as a result it ended up limiting their potential use in the wider setting. It wasn't a theme which could be adapted to various ways, but a single defining idea which dominated their identity.
If you think that this is an exaggeration, then think for a moment of all the Black Library novels released prior to Horus Rising hitting shelves. How many of those really featured the Alpha Legion to any great degree? If you said next to none you would be right, and that is because this singular concept which was initially a boon came across as a strangling presence. It prevented writers going into greater detail about the legion, offering anything of definite substance or even creating a human face for them. Even as a villain they rarely came up, until they largely faded into the background. With their narrative identity being fixated upon this single point, there was no room to develop it, and it would take a major upheaval to shift that. Unfortunately, even that came with its own problems.
Legion, upon its release, was the first Horus Heresy book to fully use the Legio XX. However, even then it was largely tied to the previous elements of the last book, emphasizing misinformation and manipulation, to the point where they were barely in it. We would see their impact, even the odd moment of their marines directly getting involved, but their mysterious nature relied upon them barely showing up. On the few occasions that they did have some presence, it was executed through human agents, creating a sort of mystique about them which was bolstered by their successes. This was then furthered by the surprising revelation that they were not led by one primarch, but two.
Here's the problem though - When you remove the revelation surrounding Omegon, how much of that book do you actually remember? I mean, really remember, in detail and in relation to the plot? This isn't intended to bash Legion's quality, or even the choices made within it, but it shows that the chance to get out of that one narrative pit trap only created another. The book was heavily reliant upon a Sixth Sense style reveal, which was truly ingeious but it ends up being the sole point that others focused upon. Because of this, fans of the legion ended up being invested far more in this one point and one development than the theme of the army. That's a problem, as it leaves everything tied into one point in one fictional work.
Think, for a moment, of how much Iron Hands lore has been limited to "WE BETRAYED FERRUS!" and "FERRUS DIED!" over and over again of late. Think of how every Blood Angels story has become "By the way, did I mention the Black Rage?" in a multitude of releases. As odd as it sounds, these suffer from the same ultimate flaw which now plagues the Alpha Legion. Because those events made such a big impact, or at least were written to have a big impact, it meant that every following creation became fixated upon them. Rather than the themes or overall defining ideas of other creations, it instead became a storytelling cul de sac which leaves them no room to press further out and develop from. Those that do break from them - such as Dante or the Devastation of Baal - are the exceptions, and they rarely show up. They are not so much building blocks as a noose which stymies the ability to adapt and forge a more dynamic concept.
The reason that I highlight the Alpha Legion for this more than any others is simple: Without their mystery elements, and without their primarch to serve as a linchpin, they fail to develop as an army. The successes which followed such as Praetorian of Dorn avoided the legion's culture almost entirely and was heavily reliant upon using Alpharius as its major figure. Equally, with the Forgeworld books, they were only able to succeed as they did by mimicking the lack of information present in the Index Astartes articles, replicating the prior concept rather than building upon it further. When the thing they are recognised for the most is being unknown and almost unknowable, it offers little meat for anyone to work with. Worst of all, however, it also means that in order to remain loyal to their core concepts, authors can write little about their individual members. When they break away from that, it seems as if it is betraying their overall identity.
It's the sort of catch 22 which needs to be highlighted more with some creations. It shows an extreme example of how even a well-written and very creative army can have its strengths work against it; even highlighting how and when meta-commentary narratives can spark of something which limits future potential over inspiring further development. It can work for a single story, but if you plan for it to keep going, you always need to ask yourself, "So, what then?"
I feel like there could be books that show the core of the Alpha Legion and do it well, provided they're told in first person and only uses the knowledge of the Narrator. It could be done similarly to Talon of Horus, only done well this time.
ReplyDeleteI know you really liked Talon of Horus, personally I thought it sucked (I only got my hands on it about two months ago) and my thoughts are similar to Omegon's, and I'm very glad they chose that username given what this article's about. That aside I think that it would be easy to have another book do a similar concept, one in which they avoid the problem that for me plagued the entirety of Talon of Horus from start to finish and utterly tainted the book: Nobody calling the narrator out when they're clearly lying.
To use a videogame example, I'm sure you've played Dragon Age 2, so do you remember when Varric talks about going to confront his brother, then the rest of the party disappears but it doesn't matter because he's suddenly very overpowered and easily mulches his way through everyone standing in his way? Remember when he finishes with a shot that goes straight through several guards and he walks it off as if it's just something he does every day? That's what reading Talon of Horus felt like to me, except it didn't have he bit at the end where it cut to the present and a character was calling the narrator out on what was clearly a load of shit.
When you don't do this it makes it feel as if the author's enforcing their own headcanon into the story, and that's unfortunately a major issue with authors like Aaron Dembski-Bowden. It gets worse when the author has things like characters talking about things that we know aren't true as if they are. To use another ADB example, any time he makes reference to the "dying" Emperor it makes me roll my eyes, since he's been canonically dead (but not gone) for decades now (even references to him getting weaker are very questionable). This is stated in every single big rulebook for every single edition but I guess he doesn't care about that.
Rant aside, have the Inquisition capture an Alpha Legion member or Marine, and have him tell his tale but in a way that while he's encompassing events that we know happened, he's doing it in a way that you can't exactly tell how much of the details were true, and when he's getting to obvious falsities (or what the characters think are falsities) then they can call him out on it. You can use that to tell a modern-day story as well as one in the past by using that to easily break up chapters and I've seen other writers use it to great effect. At least in that way we could explore the Alpha Legion and give them an identity without ruining the mystique.
I honestly don't blame you for feeling that way, as I initially had similar feelings when reading the book for the first time. It was only when I went over it again that I started to pick out on things being so insanely against all canon that I realised it was likely meant to be unreliable. ADB is very much determined to follow his own vision of the canon and little else, but this was so extreme that I honestly think that it was intentional here. The simple addition of a benevolent daemon and a certain Dark Eldar character pushed this well past that point, even without getting into the bit with the Emperor. Plus, the only reason that I think they are not specifically called out on it is due to the perspective. We only hear second-hand accounts of the questions asked of Iskander, and even then it's only a few of those. Whenever he is contradicted, he always backed it up with some "You weak fools, you think THAT is the truth!?" response without fail. As such, I honestly think that the Inquisitors were noting down his story but without taking any of it at face value for obvious reasons.
DeleteIf you want a good example, imagine you're stuck in a room with Baron Munchausen and listening to his stories. While there might be some truth to them, after a while it becomes clear that they're so contradictory to basic sense that you know that they are unreliable at best. That's the eventual view I stuck with on Talon of Horus, and it honestly helped me enjoy it a lot more for the reasons my review outlined.
As for our view of the Alpha Legion, that's something which could work quite well, and it would be a better take on this sort of thing. It could help to further emphasize their nature through secondary sources, and Interrogations are excellent scenes to help focus upon characters above all others. The other point could even be to end up writing a full Rashomon style story if multiple legionaries are captured, or even various agents.
The problem even with second-hand info is there needs to be in-universe questions raised towards it, and there weren't. I also would call Khayon's account a first-hand account since he was directly there. He's barely contradicted, if ever (when I could claim they were just baiting him and not trying to contradict him) and ADB seems to insist through his writing that this is the correct version of events. This could be partially fixed if, after they record his version of events, they call him out but even then that doesn't work because of the parts that are just him thinking to himself. He's not trying to lie in his own head unless it's a really bullshit bit of writing ADB's directing at the reader.
DeleteThat's the part that solidified it as a bad story for me, as soon as you have first-hand monologue in a character's head about info that isn't supposed to be true then you're lying to the reader and deliberately being a poor writer because of it.
The alpha legion is a good example of relying on absolutes in a character or group of characters. Sure it gives them a sort of authority in the story that makes them stand out. But at the same time the story needs to revolve around them if they are to get anywhere close to center stage. Working around that runs the risk of making their whole involvement irrelevant or overly complicated.
ReplyDeletePretty much that really. I am interested to see how Alpharius' novel will be written for this exact fact, or where things might go from here on.
DeleteI do like it from the point of view that I can do basically whatever I want with my own Alpha Legion fluff, and no one can say with confidence that I'm wrong. Even on that one major point, I maintain that Omegon was a deception as well, since I hated that twist (and pretty much everything about Legion, honestly).
ReplyDeleteBut yeah, from a point of view of the property as a whole, they're a major issue. In post-Heresy works, it can be worked around to some extent, because the fracturing of the Legion means that an author can say "Well, I don't know about the Alpha Legion as a whole, but this particular Warband is like this." I felt like Shroud of Night did a pretty good job of that. But it makes it really hard to do anything iconic with them, even then.
That's fair really, and given how much of the Horus Heresy changed certain details about legions, you wouldn't be the only one to ignore certain retcons. I can also see why it would help from a creative standpoint as well, at least when it comes to forming individual armies.
DeleteThank you, you've put my major issue with the Alpha Legion into a much more elegant post. I would argue for all of their prowess, their narrative impact is ultimately negligible given the reasons above.
ReplyDeleteOn a different note, I informed you that my AU project was working on rulebooks, and, as of today, we've completed the first three! I would love it if you could read them and hopefully enjoy them, if you can find the time.
http://bit.ly/2vchUp8
http://bit.ly/2Gl6KUm
http://bit.ly/2UMezfI
I'll see if I can get some time free to look into those. Hopefully work might be calming down for a while, and that might allow me to start uploading more stories onto here, or at least to devote more time to reading. Thank you for taking the time to send them my way again.
Delete