By this point The Shadow Campaigns might as well be subtitled “Django Wexler’s one-man crusade into flintlock fantasy”. Reworking, altering and adapting countless ideas, it has become as much of a deconstruction of genre elements as a celebration of what made them great in the first place. Rather than immediately blending the two, the series took the approach of making the subject of magic as alien as possible; turning it into some ancient concept forgotten by the world, presenting all else with the style and detail of a Sharpe novel. The Guns of Empire continues this trend, with a clear push towards a finale.
No comments:
Post a Comment